Sažetak
Користећи методологију Пјера Бурдијеа, овај чланак покушава да одрази промјене унутар позоришне бранше у Грчкој током десет година економске кризе (2010-2019). У чланку су јасно означене девијације на позоришној сцени Грчке, као што су претјеран уплив радне снаге и замјена позоришта једним умјетничким отиском који се овдје назива позориштем-супермаркетом. Поред тога, пратимо напор Стегија (у власништву Фондације Оназис) да постане кључни играч на овом пољу, заузимајући некадашњу позицију Позоришта Аморе. На крају, закључује се да ова бранша – једним дијелом и због пандемије која је услиједила након економске кризе – одолијева потпуном оцртавању граница пошто се појављују нове иницијативе и групације унутар ње.
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Reference
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