Sažetak
Ovaj rad bavi se preispitivanjem glavnih struja u pristupu međunarodnom krivičnom pravu kao i takozvanom kritičkom pristupu tom problemu. Akcenat je dat ne samo na metaforičko stvaranje mitova koje ovi pristupi nude povodom pravne legitimnosti i pravosudnog porekla postojećih ad hoc tela, već i na čudnovato oslanjanje na starogrčki teatar u veličanju značaja koje su navodno nirmberška suđenja imala kao presedan u daljem razvoju međunarodnog krivičnog prava. Članak zatim prati evoluciju koju je Eshilova tragedija Eumenide imala u atinskoj literaturi, naglašavajući rani optimizam rođen s prvim suđenjem uz učešće porote, do mnogo mračnijih tonova koji se u Atini pojavljuju onog trenutka kada cena njenih imperijalističkih avantura postaje jasnija, što je ubedljivo predstavljeno u Sofoklovoj drami Ajant, a docnije i u Tukiditovom opusu Peloponeski ratovi.Ključne reči
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